While in Bangladesh earlier this month, the group I was apart of had the chance to see the opening of Shahid Kabir’s I Bow My Head to You in Deep Obeisance, an art show at the Bengal Gallery in Dhaka. One room held smaller sketches and watercolors, while the main gallery space held larger intimate portraits and landscapes. One of my favorites shows a horizon dotted with brick factory chimneys darkening the sky over the countryside.
Adam Achrati 
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